Since the first version of ACES was introduced in late 2014, roughly 25 companies including equipment manufacturers and VFX houses have signed on to support ACES. While Universal is the first studio to announce such a large commitment to ACES, Hanniball said he “fully expects other major studios to follow suit.” “New digital tools are enabling a surge of new formats and their resultant deliverables.” “It’s a response to the continuing rapid rise in new technologies that affect our core business of creating feature motion pictures,” he said. Hanniball called Universal’s goal “complicated and not trivial,” but added that it’s necessary. Universal Studios Japan: Un excelente parque en la bahía de Osaka El parque está a la altura de su reputación, ya que sus enormes estudios y callejones musicales te transportarán directamente desde la bahía de Osaka hasta el corazón de Hollywood, EE.UU. If the work isn’t done properly, there’s a potential risk of jeopardizing all the creative efforts of filmmakers with respect to the feature’s look and color.” Those formats put further demands on a shrinking timeframe that’s under increasing pressure to move forward the availability of electronic sell-through and VOD following theatrical release. It can also aid the postproduction process, because the new digital tools and formats create challenges, Hanniball, explained, saying they “make timely mastering and finishing more difficult, often with significant added expense. Artificial Intelligence Could Be "Really Damaging" to Local Broadcasters, Warns NAB CEOĪs digital filmmaking becomes the norm and digital standards replace the old 35mm film touchstone, a standard digital negative is important for preserving film.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |